V
Vikram Rao
Hi!
I am developing a website (Joomla based) I have about 2000 Articles and the
articles are in the following format (This is a single article):
-----------------------------------------------------------
Title:
4 Secrets To Becoming A Guest On Top Tv Talk Shows
Word Count:
856
Summary:
The phone rings. You hear an authoritative voice say, *Hello, I'm the
producer of...Good Morning America or Oprah, or Larry King Live* or any other
top talk show, you name it. This is your big moment, the break you've been
waiting for. After you catch your breath what do you do?
Producers make an instant assessment of you in thirty seconds--or less. When
you get that coveted call from a producer, you aren't just *talking* to him:
you're auditioning. You are being screened...
Keywords:
media, media coaching, marketing, publicity, PR
Article Body:
The phone rings. You hear an authoritative voice say, *Hello, I'm the
producer of...Good Morning America or Oprah, or Larry King Live* or any other
top talk show, you name it. This is your big moment, the break you've been
waiting for. After you catch your breath what do you do?
Producers make an instant assessment of you in thirty seconds--or less. When
you get that coveted call from a producer, you aren't just *talking* to him:
you're auditioning. You are being screened to be accepted or eliminated as a
guest on their show. How can you pass the audition?
Secret #1: Ask Before You Speak
Before you even open your mouth to start pitching yourself and your story to
the producer, ask them a simple question: *Can you tell me a little bit about
the kind of show you envision?* In other words, ask the producer the angle he
is planning to take.
Doing so has two advantages. First, it gives you a moment to overcome the
shock and to collect your thoughts.
Second, once you hear the producer's reply, you can gear your pitch to the
type of information he's seeking. Listen closely to the angle that he's
interested in and tailor your points to it. Publicists often use this
technique to get their clients booked on shows. They *get* before they *give*
- so they are in a good position to tell only the most pertinent information
about their client.
Secret #2: Wow the Producers with Brevity
Follow the advice of jazz musician Dizzy Gillespie: *It's not how much you
play. It's how much you leave out.* Keep your list of talking points by the
phone when you call a producer (or a producer calls you), so you'll be
succinct. You will already have rehearsed your points so that they'll sound
natural and inviting. Be prepared with several different angles or pitches,
different ways to slant your information. *Nobody gets on these shows without
a pre- interview,* says publicist Leslie Rossman. *Be a great interview but
don't worry about the product you want to sell them because if you're a great
guest and you make great TV, they'll want you.*
And keep in mind the words of Robert Frost: *Half the world is composed of
people who have something to say and can't, and the other half who have
nothing to say and keep on saying it.*
Secret #3: Prove You're Not a Nutcase
If you area nutcase on the air, the producer will lose their job. What
constitutes a nutcase? You may think it's a positive trait to be enthusiastic
(and it is), but anyone who is overly zealous about his passion is considered
a nut. Best-selling author and screenwriter Richard Price talks about this
phenomenon as *The dangerous thrill of goodness.* He says, *What happens is
you can get very excited by your own power to do good.* Don't get carried
away by this thrill.
One way to tell if you're being too zealous is that you're hammering your
point at top speed with the energy of a locomotive pulling that toot lever
non-stop. I remember a man calling me up about how he was single-handedly
taking on Starbucks - who, he felt, had done him wrong. He wanted me to
promote his cause. While this could have been a great David versus Goliath
type story, he was long on emotion and short on facts. Some statistics or
figures would have tempered his mania.
But he also never checked in with me to see if he had my interest. By
talking loudly and barely pausing for a breath, he appeared to be a man who
wouldn't take direction well. His single-mindedness was off- putting, not
engaging.
When you're talking to a producer speak for 30 seconds or so and then check
in by asking, *Is this the kind of information you're looking for?* Listen
for other verbal cues, such as encouraging grunts, or *uh huhs.*
Secret #4: Can You Mark *The Big Point?*
Contributors to the popular radio show *This American Life,* hosted by Ira
Glass, have taken to calling the wrap-up epiphany at the end of a story, *The
Big Point.* This is the moment that the narrator gives his perspective on the
story in an attempt to elevate it from the mundane to the universal.
Another radio personality, Garrison Keillor, is a master at it. He tells
long, rambling stories (not good advice for you), then ties up all the story
strands in a coherent and satisfying way. As a great guest, you want to
illuminate your story with a big standout point that helps the audience see
the significance of your story in their world and the world at large. Rather
than hitting them over the head with a two-by-four, you want to share your
insights with a feather-like touch. By framing your story you alert the
producer to the fact that you're a thinker and can contribute great insights
and clarity to a story thus increasing its appeal.
------------------------------------------------------------------------
My Question is
1. How can I convert it into Excel so that I get Each field in a separate
calumn. I mean Title, Word Count, Summary, Keywords, and Paragraphs. all in
separate calumns.
2. How can I have all paragraphs in a single calumn but with proper breakes
so that when I export it to SQL via csv or so it should appear as individual
paragraph.
3. As each Article is in a separate .txt file, How can I import all the 2000
files in one go?
Thanks and regards
Vikram
I am developing a website (Joomla based) I have about 2000 Articles and the
articles are in the following format (This is a single article):
-----------------------------------------------------------
Title:
4 Secrets To Becoming A Guest On Top Tv Talk Shows
Word Count:
856
Summary:
The phone rings. You hear an authoritative voice say, *Hello, I'm the
producer of...Good Morning America or Oprah, or Larry King Live* or any other
top talk show, you name it. This is your big moment, the break you've been
waiting for. After you catch your breath what do you do?
Producers make an instant assessment of you in thirty seconds--or less. When
you get that coveted call from a producer, you aren't just *talking* to him:
you're auditioning. You are being screened...
Keywords:
media, media coaching, marketing, publicity, PR
Article Body:
The phone rings. You hear an authoritative voice say, *Hello, I'm the
producer of...Good Morning America or Oprah, or Larry King Live* or any other
top talk show, you name it. This is your big moment, the break you've been
waiting for. After you catch your breath what do you do?
Producers make an instant assessment of you in thirty seconds--or less. When
you get that coveted call from a producer, you aren't just *talking* to him:
you're auditioning. You are being screened to be accepted or eliminated as a
guest on their show. How can you pass the audition?
Secret #1: Ask Before You Speak
Before you even open your mouth to start pitching yourself and your story to
the producer, ask them a simple question: *Can you tell me a little bit about
the kind of show you envision?* In other words, ask the producer the angle he
is planning to take.
Doing so has two advantages. First, it gives you a moment to overcome the
shock and to collect your thoughts.
Second, once you hear the producer's reply, you can gear your pitch to the
type of information he's seeking. Listen closely to the angle that he's
interested in and tailor your points to it. Publicists often use this
technique to get their clients booked on shows. They *get* before they *give*
- so they are in a good position to tell only the most pertinent information
about their client.
Secret #2: Wow the Producers with Brevity
Follow the advice of jazz musician Dizzy Gillespie: *It's not how much you
play. It's how much you leave out.* Keep your list of talking points by the
phone when you call a producer (or a producer calls you), so you'll be
succinct. You will already have rehearsed your points so that they'll sound
natural and inviting. Be prepared with several different angles or pitches,
different ways to slant your information. *Nobody gets on these shows without
a pre- interview,* says publicist Leslie Rossman. *Be a great interview but
don't worry about the product you want to sell them because if you're a great
guest and you make great TV, they'll want you.*
And keep in mind the words of Robert Frost: *Half the world is composed of
people who have something to say and can't, and the other half who have
nothing to say and keep on saying it.*
Secret #3: Prove You're Not a Nutcase
If you area nutcase on the air, the producer will lose their job. What
constitutes a nutcase? You may think it's a positive trait to be enthusiastic
(and it is), but anyone who is overly zealous about his passion is considered
a nut. Best-selling author and screenwriter Richard Price talks about this
phenomenon as *The dangerous thrill of goodness.* He says, *What happens is
you can get very excited by your own power to do good.* Don't get carried
away by this thrill.
One way to tell if you're being too zealous is that you're hammering your
point at top speed with the energy of a locomotive pulling that toot lever
non-stop. I remember a man calling me up about how he was single-handedly
taking on Starbucks - who, he felt, had done him wrong. He wanted me to
promote his cause. While this could have been a great David versus Goliath
type story, he was long on emotion and short on facts. Some statistics or
figures would have tempered his mania.
But he also never checked in with me to see if he had my interest. By
talking loudly and barely pausing for a breath, he appeared to be a man who
wouldn't take direction well. His single-mindedness was off- putting, not
engaging.
When you're talking to a producer speak for 30 seconds or so and then check
in by asking, *Is this the kind of information you're looking for?* Listen
for other verbal cues, such as encouraging grunts, or *uh huhs.*
Secret #4: Can You Mark *The Big Point?*
Contributors to the popular radio show *This American Life,* hosted by Ira
Glass, have taken to calling the wrap-up epiphany at the end of a story, *The
Big Point.* This is the moment that the narrator gives his perspective on the
story in an attempt to elevate it from the mundane to the universal.
Another radio personality, Garrison Keillor, is a master at it. He tells
long, rambling stories (not good advice for you), then ties up all the story
strands in a coherent and satisfying way. As a great guest, you want to
illuminate your story with a big standout point that helps the audience see
the significance of your story in their world and the world at large. Rather
than hitting them over the head with a two-by-four, you want to share your
insights with a feather-like touch. By framing your story you alert the
producer to the fact that you're a thinker and can contribute great insights
and clarity to a story thus increasing its appeal.
------------------------------------------------------------------------
My Question is
1. How can I convert it into Excel so that I get Each field in a separate
calumn. I mean Title, Word Count, Summary, Keywords, and Paragraphs. all in
separate calumns.
2. How can I have all paragraphs in a single calumn but with proper breakes
so that when I export it to SQL via csv or so it should appear as individual
paragraph.
3. As each Article is in a separate .txt file, How can I import all the 2000
files in one go?
Thanks and regards
Vikram
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